Theo = The O
Eyes of the beast are painted on every wall
Underground tavern with a fire pit which is a dimensional rift into a low-burning star
Xavier points at the city of Omicron on the map and begins to describe it. David starts to
Imagine myself actually there. Here. Money, death and commitment joined forces to form a supreme height of fear within me. Buzz-in systems on entrances everywhere... and some security guards wherever you look. Private security becomes the number one occupation but is still not unionized. Seen as a bipartisan victory. At least one man acting as guard from each household. These people live 7 or 9 to a medium-sized house.
Their architecture has created a hybrid aesthetic from Francis Bacon and a salvia trip--everything in those false worlds so textural, so intricate and varied. Whorls and whirling.
There are no young people. They live like pigs here. Xavier talks to them the way he used to talk to street people. A society of cringing refugees.
The Omicron could manifest itself in any doorway by tapping into the townsfolk's individual mental frequencies. For all we knew, The Omicron was a renegade god.
The streets are empty. The people traverse in secret or literally underground, if not through the sewers then by door-to-door carriage.
Horse filth and random loose dogs define the city center. Random grizzled old-timers are the only people who brave the streets, as they have nothing to lose by daring "The O"
There was limited reliable anecdotal information available on The O. It streamed as a cloud of wasps through tight spaces and unguarded windows in some stories. Charmed its way through your front door in others. Deep beneath the surface is their town square, where by dim kinetically generated lights they meet to bear group witness to communal fear. Dank labyrinthine passages clogged with muggy, sweat-pouring subterranean hole dwellers.
The old here exceptionally bitter and fragile. Moreso even than in our own world. The few who aren't second butlers changing channels in rich people's living-rooms are paranoid hermits in hoarder's mansion, rooms devoted to booby traps and food stores in a world where other adults sleep in bunkbeds. Stacks of canned goods are being categorized and thirsted over in upstairs bedrooms all over Omicron City tonight.
Of course it didn't used to be called Omicron city. If it was ever called something else I haven't been able to pick up. Frayed refugees in their own town, they have no way to fight back but I'm not sure if they'd take the opportunity if they had it. We decided to investigate this Omicron, considering its quasi-real behavior could give us further insight on dimensional travel.
GOD IS REAL AND HE HATES YOU
We expected at least a few of the stories they told us to be true... instead, they all were. The Omicron could, indeed, see you wherever you were in the city.
The Omicron's eyes were painted on every wall, and uncertain legend held that He could see you through them. Some were simple graffiti-tag style scrawls, and I get the feeling that these ones are intended as some half-hearted attempt at rebellion.
Scenario: David, Masha and Xavier attend a church ceremony where miracles and visitations by the mentioned evil saints of the Omicron are played out there in front of them.
The Omicron's sentinel was a drowsy-faced fat man whose eyes lit with hatred when he brought his gaze up to meet the congregation. A piercing light blue color, they told of his utter control by The O. As he began the enchanted story, they darted from side to side below his angry-cut bangs and then raced back across, sweeping us like a typewriter carriage being slammed. After about 45 minutes of hate filled rhetoric and updated gossip of the Twelve Chosen, a stage appeared on his chest. It was like that of my special helper Xolotl, but turned to darker purpose.
We saw fleeting images of destruction wrought by the Chosen 12 in neighborhoods of the massive township where the Omicron's will had not been obeyed.
Most of it was archival footage: the "guards" at Omicron Summerfest using advanced martial arts techniques on beer garden crowd that turned on them after a musician's concert was forced to end at the then-new 11pm curfew.
They had their own jobs with which they paid their way in society, but each person in O Town also did secret labors for His gratification. Some were his choremasters, others sang songs in converted tunnels for an audience whose attendance was mandatory.
His portrait peeked out of every gallery window. Different forms and aspects of The Omicron were naturally varied from shop to shop, but each time the scene--even if not specifically focusing on The Omicron or one of his exalted minions.